mami kato
tokonamE, AICHI PREFECTure, JAPAN
Times such as this bring me back to my comfort piece: the bowl. A form that took me ages to make my very own.
When I am making a bowl, I am standing at the rim, looking at the depth therein; looking at my subconscious. At the same time, I am also standing inside it, looking up at the sky, looking up at the world outside my window. I find that this contemplative process brings me to a state of acceptance and forgiveness, freeing me of my insecurities. I am then my very own self, dreaming landscapes of omnipresence.
I have prided myself in making simple minimalistic works that lead viewers to experience a quietude that we often do not recognize inside of us. This is the silence I myself feel during these days of social lockdown. I have a batch of porcelain stained with pigments which I want to start working with. That spark is what I am looking for.
Archaeological items and found objects have spurred on my inspiration to create the sculptural bowls I am known for today. I know this interest came about while following my father to archaeology sites and digging out old pottery from mud with him.
All I needed was to look. There was inspiration everywhere.