Quartz Inversion

erik H. gellert

santa fe, new mexico, usa

 
Erik Gellert in his studio, Santa Fe, New Mexico.

Erik Gellert in his studio, Santa Fe, New Mexico.

Erik Gellert, Green Side Up, 2020. Earthenware, Mason Stain, Astro-Turf, 9″x 12.5″x 12.5″

Erik Gellert, Green Side Up, 2020. Earthenware, Mason Stain, Astro-Turf, 9″x 12.5″x 12.5″

I really want to connect with people. During the first stages of this pandemic I was calling everyone I could think of. I was making doodles people could download and color in. I had devised a new way of collaborative sculpting. I needed other people to validate my existence during all this turmoil. Perhaps this sentiment is not all that different from pre-Covid days, but it all became amplified.

Eventually, I found my way back to the studio in relative solitude. Either just me or, working across from me, my quarantine buddy—my wife, Esther. And when I stopped panicking, the move was natural: back to an abandoned series of works that still held potential. Abandoned not for lack of ideas but, more likely, because I didn’t really believe in myself and couldn’t accept the successes I had had with it.

So now, I’m back at it and, without any hope of showing this work in the future to a regular audience, I have been fairly content to show off my progress on Instagram without much care as to how it will be received. Imagine that: a platform that’s designed to make you feel bad has started to lose its grip on me. I now feel freer simply to be myself (which is sometimes an act) and to be ok with that.

If you have the means to get by at the moment, I feel this is the time to get in touch with who you really are. Your duty is then never to forget what you have found, and to be forgiving of yourself and others through this whole process.

Erik Gellert, Caterpillar, 2017. Earthenware, Mason stain, glaze, 7″x 20″x 6″

Erik Gellert, Caterpillar, 2017. Earthenware, Mason stain, glaze, 7″x 20″x 6″

during the lockdown, Erik H. Gellert has been making new pieces using his trademark coiling technique, and creating downloadable PDF coloring books for ‘shut-ins’ with a similar aesthetic

Erik Gellert, Square 15 (in progress), 2020. Earthenware, 13" x 13" x  4"

Erik Gellert, Square 15 (in progress), 2020. Earthenware, 13" x 13" x 4"

Erik Gellert, Square 14, 2020, outer surface. Earthenware, Mason Stain. 13" x 14" x 10”

Erik Gellert, Square 14, 2020, outer surface. Earthenware, Mason Stain. 13" x 14" x 10”

Erik Gellert, Blocked Up, 2020.Earthenware, found object. 8"x 8"x 8"

Erik Gellert, Blocked Up, 2020.Earthenware, found object. 8"x 8"x 8"

Erik Gellert, Square 12, 2020. Earthenware, 13.5’ x 13.5" x 4"

Erik Gellert, Square 12, 2020. Earthenware, 13.5’ x 13.5" x 4"

Erik Gellert, Square 14, 2020, inner surface. Earthenware, Mason Stain. 13" x 14" x 10”/

Erik Gellert, Square 14, 2020, inner surface. Earthenware, Mason Stain. 13" x 14" x 10”/

Erik Gellert, Flagstoned, 2020. Earthenware, found object. 6" x 7" x 7"

Erik Gellert, Flagstoned, 2020. Earthenware, found object. 6" x 7" x 7"

Erik Gellert, Color Me Easy, 2020, pattern from his ‘Coloring for Shut-Ins’, downloadable at https://erikhubertgellertdotcom.files.wordpress.com/2020/03/colormeeasy-1.pdf

Erik Gellert, Color Me Easy, 2020, pattern from his ‘Coloring for Shut-Ins’, downloadable at https://erikhubertgellertdotcom.files.wordpress.com/2020/03/colormeeasy-1.pdf

BIO: ERIK H. GELLERT

Erik H. Gellert recalls: In 2005, in the middle of a ceramic hand-building class at Oakland Community College, I had what can only be described as a visionary experience while in the presence of a hand-coiled, un-smoothed teapot that a classmate had created. When I saw it, my head was immediately filled with images of coils and the infinite potential in the various patterns and forms I saw. This kind of thing is not normal to me. I knew I would be dedicating my life to coiling. A housepainter by trade, my mind and body were already in tune with processes that others might consider tedious, repetitive or mundane. I’m best known for fusing wiggly coils of clay to rigid box-like forms. And for being the Ceramics Technician in the Ceramics Department at Santa Fe Community College, in Santa Fe, NM. However, I may yet become best known as the inventor of Geltron 3000, the world’s first 3D printing robot.

 

SOCIAL MEDIA:

erikgellert@gmail.com

www.ehgellert.com

@erik_h_gellert

@geltron3000

 

rate of affection

Erik H. Gellert nominates Owen Marc Laurion